总路๐๐线

ๅฏผๆผ๏ผ谢尔盖ยท爱森斯坦,格里高利ยท亚历山德罗夫
ไธปๆผ๏ผMarfa,Lapkina,M.,Ivanin,Konstantin,Vasilyev
ๅนดไปฝ๏ผ1929
ๅฐๅบ๏ผ其它
่ฏญ่จ๏ผ其它
ๅ ๅฎน็ฎไป
Due `๐คญ๐= to ๐๐some c๐๐คommon in.๐๐๐t_]ere`๐s=ts betwee_๐๐*n German and Russian ๐ฅฐ$aristocracy ( the ๐คซ๐@)Russia๐๐
$๐คฎns@;๐คฉ๐ค even had aris\๐ท#๐tocrats in ๐คจ๐คt^heir past not to m=๐ค๐en๐ค๐[tion t ๐^๐คฃhey #-had an ๐คจ๐คจ๐(Emp๐ ress cal๐$led๐ฌ๐ค๐ Cat๐๐ค `herine the๐คช Great๐, as๐คฉ^ great [๐as this ๐คฉ๐Germ=๐?an count's h๐๐คeiressesโฆ ๐ค๐๐๐๐) ๐ค, it i๐๐ค๐คฅs no๐คฃ๐t strang๐๐๐@๐คฅe that this Teu๐๐toni๐ค:c count/๐ด has und๐erstood an๐ค\d eve`๐คข๐ด`n๐ช๐+๐ ๐คช๐enjo๐ฅฐ๐๐ถy๐ค @๐คed Herr๐๐คช๐คข๐คค S. M.๐คข% Ei.-๐คข๐s@:e ๐nstei๐%n's Staroy๐๐ด]e I Novoye.ใใIt ๐:? is not very u๐/๐คs๐๐ua๐ค๐ค^l ๐ถ๐that for the a๐ด๐๐ฌris๐!`to;,๐#c๐๐๐คจr๐๐a๐cy to enjoy Bol๐ฅฐ๐shevist films full_๐^๐ of pr๐๐olet๐คฃ!arian deman๐คฎ+๐คซds that put pr๐๐คฃi๐คฎ๐คจ๐ฌvate pr.[,๐คoper๐_!ty at risk or as ๐ค๐it h๐คจappe[ns in this cas\%e ๐๐ด๐, a film.๐ about th`๐e ๐^๐คCommunist Party's;๐คฎ๐ policy on t),๐$h/๐คจ๐๐e subj%๐คขect of the๐@๐ collectiv๐ค๐iz$๐ท๐ation ๐๐ of the Sovi๐๐คฃ๐et %๐๐คagricul ]t=u๐คจ:re. Norm๐(al]ly th $=`๐i๐๐คซ๐ทs๐๐ฅฐ๐๐ฌ would b-e ๐๐คคperf ๐๐ect gibberi*sh fo๐`r this G๐คคerman count, bu๐ท?๐ค@t thank=s to ๐๐ฅฐ,Herr @^๐คEisens๐= ๐คฉ๐te๐๐ค๐๐ทin 's greatness ๐
!๐๐and directori๐คซ๐คal talent, !๐คญ๐th. e๐[๐คฅ hardship๐คs of ๐ชthe heroin๐ e@๐ of๐๐คซ t๐๐๐ฅฐhe๐ด๐,๐ film๐ฌ๐๐, ๐]๐คฉDame Ma๐๐๐rfa (๐๐% Dame M๐arfa Lapkina ) ๐๐๐ทbreached *,@๐คe๐๐ด+`ven -๐
the thic$๐๐คซ๐คฎk- aristocratic` Schloss wa+๐๐คญlls.ใใAn.:๐ฌ๐คฉd ? ๐that's one @,๐of the first remarkable a๐๐คค/`spects of this ๐คช``๐oeuvr=e;(๐ in !spit๐ด_e of the political ๐๐๐/subje๐๐คฃ๐๐ทct of the $๐film, t๐he powerful image๐ค/ s and lyricis)๐ค:\m ( astonishing and ๐ฅฐ๐ช๐๐คbeautiful shot compositions ๐๐),๐๐ฅฐ:^๐ espe(๐คฎ๐)c๐คฅ๐.ially du๐^ri๐ด๐ng th๐คญ๐๐e f๐คข_#๐ir๐คฅ๐๐st part of t^๐๐he๐
๐๐ค( movi๐๐คฎ_e, pres\๐ทer๐๐v ๐e th๐e artis๐ค%๐tic ๐ค๐คคmerits e๐คฅ๐๐๐nti๐+rely whil๐๐ถ$e s ๐๐erving a propaganda pu๐ rpose. T;=_he second rem๐๐a๐ชrkable a)๐spect๐ค๐คฅ of the๐คจ๐๐
film is the ๐คจ-+๐d๐๐๐คichotomy between the old๐
and +ne(*w๐ค;๐ท[, the ๐๐figh.t to impro๐คซve the l๐ถ๐[ot of Dam๐๐๐๐คญ`e Marfa and๐ฌ her countrym๐๐คขen. There--๐ท๐๐คฎ are m๐an_๐ค๐y disc๐ ๐คussions _+be๐cause it is not e๐คฅ๐คฃasy $)even ๐*$๐ค]in R ๐คซ ussia to change ancien,#t a๐๐@nd๐๐๐คฎ conservat๐?ive c๐ค(ustoms๐$๐คฃ/^. There๐๐ค๐ค are supe๐คญ๐ค๐ค%rb ๐๐metaphors/๐ and social=๐ด๐ c๐๐ด^๐riticism*] ( illiterac`๐ถy, bu+๐คญ๐reauc*๐ค /racy, ๐ค๐๐ถrelig๐คขi^osity ) whi! ๐ถch perfect.\/ly f it ๐๐the ๐ค๐ค\;film, and ๐/last b ๐๐ut ๐คจ๐๐คชnot๐ด, least, ๐๐๐/S๐ค๐๐\taroye I No๐voy๐๐คข.e, ๐ is a ๐ค๐ทkind of ๐ ๐๐arch๐ai๐%c do๐๐#๐คฉcumentary๐๐คฉ๐ abo๐_ut ancient customs ๐คค(;:?esta๐๐คฃ๐ชblishe๐ด๐ชd d@eeply ๐ค๐+in ol๐คฉ๐๐d Ru๐ss๐๐คia, tho๐๐คse๐๐คข๐๐ ones that our heroine %)must fight๐-. again๐๐คช)st. An๐ฌ๐ด๐:๐
d t๐คจ๐ฅฐ๐_h*๐คฉere ^๐is a๐ช?๐lso a lot a::bou ๐๐#t .๐คฅ%[:agr+)๐๐iculture ( ver๐[y en๐,lig๐คญ๐ถhtening:๐ for this Germa๐๐๐คn๐๐คข) co@๐unt), e!๐specially about harv#๐estin,-g and๐ช,๐ how ๐to fatten R ๐ ๐uss๐
ian cows or pigs ( literally,)๐^๐ n๐๐คญ๐ค๐คช;o ๐ค๐ค๐คฉ*๐p;un๐ hereโฆ `]).ใ๐ใHe๐ค๐๐ค๐rr E-๐_is๐ฌenstein ha๐๐d to bea%๐ค[๐ฅฐ@r duri๐ค๐๐ng the l๐๐a.st ๐-๐คฎ๐ฅฐera of h๐ค ๐ฅฐis @f๐ค๐๐@ilm ca๐๐reer, ๐๐ค๐ฅฐunbelie vable c๐ensors๐.๐๐คญh๐คip and mutilation ๐คฃ๐๐๐คซof๐๐คช๐ his ๐ค๐คwork,๐๐ as hap๐ pens with Star๐=oy๐๐ฌ e I Nov๐คช๐คฃoye. The film w,๐คฃ=as re ๐edited and[๐คค%๐ Eisenstein a๐ ccu?๐se๐ค**d of sympathi:zing with Tros๐๐tky's policies but f๐.๐ortunately#๐ *th๐๐e film wa๐.๐คฉs restor๐๐ด๐๐ed and showed ๐#%by the๐ German+-f$๐ท๐คญren?๐๐(๐คซch๐๐ifie๐ถ๐ช๐d t@+๐ช๐.v. ]channe/@๐l ๐๐คARTE, natรผrl๐ด๐?ich!, i๐๐nc๐คlu๐-d๐ing an e๐vocat[๐๐ive musi[ ๐c score by ๐ช)Herr Tar๐ท@as Bujewsk๐)๐i, ๐๐
.๐ชthat fits superbly#,๐คญ๐คช ๐ค๐^๐คH@๐err E๐ค`]๐คฅisen ๐คstein๐
๐ค primal ar๐tistic interests.ใใAnd now, if you/๐๐'ll al๐คญ#lo๐คญ๐ถ!w me, I -๐ must๐คฎ te๐ถ๐คฉ:mporar ๐$i๐?๐ค%ly take my leav๐ถ_(e`๐ because this๐๐ถ Ge๐๐คฉ๐คฃ๐คจrman +๐คซCount mu๐st๐คฃ๐๐ bu๐๐คฎ[(y a tractor for o๐คข๐คฃne๐๐คฉ๐ of hi๐คขs Teut๐, onic heir๐๐๐ess.